Spring

Poems from Rivard Street
by Benjamin Oldham


The Bureaucracy of Weather

Almost June,

and where has summer been

but held up

in some waiting room,

hot and slow

and circulating?

There is always

another day for patience,

it seems,

always some enclosed place

with a gleaming

on the other side

to get to when I’m done.

Well, here I am

enclosed within my month

of rain,

waiting for the summer’s

ticket number

to be called,

and both of us released

from the bureaucracy

of weather.


Before I know it,

though,

we’ll have traded places:

I’ll be in some air-conditioned

waiting room,

thinking to myself

at least it’s cold

because the summer isn’t here

but somewhere in the grass

outside this boring

stuffy building

where no bureaucracy

can get to it.

I’ll imagine even

that the summer might be

right outside,

watching the swing

and latch

of double doors,

waiting for me

to hurry up

and come back out to it.


All at Once

It is a landscape

that engulfs us,

always a landscape.

We are dots in the ocean

and all at once

dots on the shore,

drifting from a fixed position

to all at once

a temporary one,

like thin lines of motion

working to rest,

breaking against

thin lines of stillness

looking to be agitated.


It is a landscape

that sets within us this condition

in which we are small

and finite

in a thing that is strong and solid

and permanent,

and all at once giant

and everlasting

in a thing that will,

someday,

be dust,

drifting away from us,

engulfed in a greater landscape.


The Theatre

This is to tell you

how I’ve waited here for you

outside the theatre.

Though many acts by now

have played inside,

I have not seen you arrive

in blizzards

nor missed the show of leaves

in the streetlight

of summer nights.

I have not seen you arrive

the first of June,

that windless June,

and the dancing leaves are silent.


I have been downtown

and to the outer city

past the mountain.

I have not cared what plays inside

the theatres there.

I have waited

with my collar turned

against the biting snow

and my chin raised to the trees—

that is how I have waited.


This is to tell myself

that you must be inside already,

watching every act,

passing every season unaware

of the cycles of the moon.

Because you have not arrived

to find me waiting

in blizzards

or watching the show of leaves,

nor have you arrived

the first of June,

that windless June,

and you have not seen with me

how silently the leaves are dancing.


How the City Parts

You’ll have to wake up,

my love,

and comb away the curtains

like hair from your eyes.

On the rooftop of the chapel

that burned last year,

they are taking down the scaffolding

around the repairs,

and the bell rings out again

from its defended silence.


Up here, the city parts,

at every street it parts

and falls

like hair to the side of the face.

When it burns again,

let us not be on opposite ends;

you’ll have to look for me,

my love,

if I am not in bed beside you

in the sheets we made;

you’ll have to look for me

if I departed

in the blazing night

into a defended silence.


Until the Feeling Returns

You ask me

how I’m feeling today,

and all I can say

is that the form is foreign

to the sounds in my mouth.

But remember my mouth is frozen,

and the feeling will return like this:

cold hands in a hot shower

or the sighing expanding

of the door frame

in the summer heat

or footsteps on the street,

the sort of going out

into the loud night

that makes friends

and lovers

and memories

like flowers that

little animals eat all spring

with thawing mouths like me,

and they can eat

and grow strong again

and not have to say how they feel.

I have to figure out

how to say these mouthing thoughts,

and that is how I feel at all

the weakness of this state I’m in,

and that is why

you should just think of me for now

like I am eating flowers

until the feeling returns.